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When Christian Lacroix Maison meets Moooi Carpets

Having worked in the interiors industry for almost two decades it is increasingly disheartening when vibrant colours give way to neutrals. This makes it all the more exciting to see Christian Lacroix Maison’s collaboration with Moooi Carpets. These sumptuously rich carpets are a celebration of colour, energy and French panache. Inspired by the Incroyables and Merveilleuses and the revival of Paris after the French Revolution these carpets show what can be achieved by avoiding the mainstream.

For more information visit www.christian-lacroix.com and www.moooicarpets.com

 

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Iya Skoromna’s loop tapestry technique

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Credits from left: The Phisicalosophy; Ballerina ; The 1826.

 

Tapestry weaving is usually a long process where every thread is deftly woven to add to the image. Ukraine tapestry artist and architect Iya Skoromn’s started weaving Gobelins tapestry in 2001 but has recently started to use a loop tapestry technique where finished pieces resemble wool sketches.We caught up with Iya to find out more.

What is the loop technique?

“The loop technique is based on the experience of creating Gobelins. It is horizontal and vertical stripes on frame to create the required volume. I then apply the wool similar to the traditional weaving technique, but make loops to secure it. As a result, I achieve ‘wool sketches’. I experiment with different background fabrics (linen, cotton, organza), yet the ‘organza fabric’ (organdy) is by far my favorite one because of the airy impression it makes.”

 

How do you describe your work?

“The main idea of the loop technique is to feature the memory-like appearance of specific bright moments of human life (eg. getting the first bicycle). I also think the textile medium is the symbol of ‘transferred experience’ (on the analogy of special cloth we keep for generations). It is not only about old memories, it is also about why I recall it, what is the trigger. Nowadays, we have social problems we wouldn’t have even thought about previously and perhaps so will future generations. But we just cannot fail the world we live in. We need to recall good traditions, to appreciate life, to appreciate the moments we’ve got.

The colour choice depends on the hint of memory I am going to feature. Particular colours depict my conceptualization of the space, where the memory is kept in our minds – ‘the dome of memories’ as I call it. For example, the highly emotional pieces are made with sheer and shiny fabric.”

 

www.iya-tapestry.com 

Facebook: https://www.facebook.com/iyatapestry/

Instagram: https://www.instagram.com/iyaskoromna/

 

A modern history of batik

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[Credits clockwise from top: detail from Yee I-Lann’s ‘Orang Besar Series – Kain Panjang with Parasitic Kepala’; Bambang ‘Toko’ Witjaksono, Berbeda-beda Tetapi Putus Juga; Lamarlah Daku, Bukan Ibuku; Yee I-Lann, Essay #001 Alphabetised; Ismail Mustam, Evolusi; Khalil Ibrahim, Dua Beradek]

 

Good or bad, life is becoming increasingly global with big brands and media dominating cities worldwide. It feels that places in the non-virtual world are loosing their identity. Thankfully art can transcend this and while batik is prevalent throughout Asia, it is an integral part of Malaysia where I am currently based. The more prolific examples of batik are traditional and slightly predictable (colourful patterns with flora and fauna) and it can be hard to find a more original take on this established technique. This made it really exciting to visit the beautiful Ilham Gallery in the heart of Kuala Lumpur for their exhibition ‘Love Me In My Batik: Modern Batik Art From Malaysia and Beyond.’

Situated over two floors, this large gallery is a serene space with over 70 works on display. The exhibition tracks the story of modern batik, predominantly in Malaysia, from the 1950s onwards when it was emerging as a form of fine art partly through colonial patronage and in the 1960s when it was promoted by the state, through to today. It features pioneering work of highly regarded artists including Chuah Thean Teng and Khalil Ibrahim.

Each artist uses batik so differently it is incredibly diverse, what I found most fascinating was the work from the 60s and 70s. While the newest work is interesting, especially Yee I-Lann’s ‘Orang Besar Series – Kain Panjang with Parasitic Kepala’ it was often the technique that caught my eye (especially digital printing combined with batik). In contrast the pieces from the 60s and 70s almost seem more unique and poignant, partly due to the simplicity of the images, the colour choices, and perhaps because you rarely see work from textiles during this period.

Whatever your preference the range of what can be achieved through the medium of batik is incredible. I can’t recommend this free exhibition and gallery highly enough. If you can’t make it check out their website for more information or our Instagram and Pinterest pages for more images.

 

 

ILHAM,  ‘Love Me In My Batik: Modern Batik Art From Malaysia and Beyond.’

Until 20th June 2016. 

Levels 3 & 4, ILHAM Tower, No. 8, Jalan Binjai, 50450 Kuala Lumpur, Malaysia.

www.ilhamgallery.com

April exhibition featuring Nike Schroeder, Amber Jean Young and Tonje Hoydahl Sorli

NikeSchroederStudio003  Amber Jean Young   Tonje Hoydahl Sorli

Celebrate Spring with our fresh new exhibition featuring three talented textile artists, all with their unique take in both their technique and of course their subject matter. Nike Schroeder divided her time between her native Berlin and Los Angeles until she moved to L.A permanently. Her new studio is a light filled zone of creativity and her work looks equally at home in serene art galleries of on the pages of glossy interiors magazines where it takes pride of place in people’s homes.

Viewing Amber Jean Young’s quilts immediately transports you to a world of forests and endless skies. The fragmentation of both give it an entirely new perspective which is enhanced through the tactile quality of her medium.

Norwegian Tonje Hoydahl Sorli transplants instantly recognisable popular culture motifs into carefully woven tapestries, where the immaculate front of each piece contrasts with the reverse showing the trailing yarn. “This shows doubleside to most things, and also the more problematic or tangled sides of life,” she explains.

Textiles take to the streets with craftivism

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[Images courtesy of Betsy Greer and the ‘You are so very Beautiful,’ drop at Baltimore]

 

 

Definition of craftivism: ‘a way of looking at life where voicing opinions through creativity makes your voice stronger, your compassion deeper and your quest for justice more infinite’ Betsy Greer

 

 

Creating something often brings more pleasure than owning the finished piece, and now there is an outlet for all of your creativity.  ‘You are so very Beautiful,’ is a project originated by Betsy Greer, the ‘godmother of craftivism.’ Make a positive affirmation no bigger than the size of your palm starting with the words ‘you are’ and send it to Betsy or find out how to create your own drop where you live.

The benefits of doing so can be two fold. Not only are you adding to a cause, but sometimes samples you weave, sew or knit for a larger piece are often redundant once they are made. Try adapting them to give you the knowledge you need for your final work then send them onto a drop to spread a little happiness. We caught up with the lovely Besty to find out more about her and the project.

 

 

What is your background with craft and textiles?

I learned how to cross stitch from my grandmother during a visit to her house. We went to the store and I picked out a bookmark with a cow on it that I gave to my mom. I learned how to knit when I was living in New York City in 2000 because I wanted to volunteer with older people and thought that it would be the perfect thing to learn, something we could do together. Little did I know it would lead to learning to knit in a cool knitting circle! So I’m both community taught and self taught.

 

When did you start the site and why?

The spring of 2003. No one was using the word craftivism and I wanted a way to track its usage. So, BOOM, a baby site was made! If you had told me the term would be worldwide 13 years later I would have laughed at you. Now it’s a place where people hopefully can come to learn more about the term and how people interpret it. It’s funny there’s no road map when you create an -ism, so I just decided it was my job to be a godmother to it.

 

Although Craftivism encompasses all kinds of craft, what is it about textiles that lends itself to the cause?

Textiles are so personal, so tactile, so portable, so beautiful. That they have all  these things at once and go back thousands of years makes them pretty potent in terms of cultural value. Add on the fact that women were taught textiles for centuries and it becomes even more layered. With all this weight and cultural value, it is perfect for craftivism, which also has weight and cultural value.

 

Can you briefly explain the concept behind ‘You are so very beautiful.

At first I started writing affirmations for a daily app that asked questions every morning and night so you could track what you did. I started thinking they were kind of dumb, but over time I began to really like that question each morning, asking myself, what do I need to remind myself of today? Then I realized that if I stitched signs that had affirmations I needed to tell myself or perhaps wanted to tell others, I could heal myself in the making of them and then heal others in them finding them, in the hopes that whomever needs to find that message stumbles across where I left it.

 

What countries has it featured in so far?

The U.S., England, and Canada. There will be a drop in Australia in April!

 

If people want to contribute towards it what’s the best way to do so?

To learn more about how to participate, check out http://craftivism.com/yasvb

To learn more about what the project is, go to http://craftivism.com/youaresoverybeautiful.

For any questions, feel free to email me directly at betsy@craftivism.com.

To see what other people have made, check out the hashtag #yasvb on Instagram here: https://www.instagram.com/explore/tags/yasvb/

 

Follow us and artist update

TRIPTYQUE

Last year we were lucky enough to feature french tapestry artist Marie-Thumette Brichard in our first online exhibition. We recently caught up with her to see what she had been working on. As well as a solo show exhibiting all of her tapestries and collages from the last ten years, she has been weaving several mini-tapestries something she describes as “fun and interesting,  like drawing.” One of her latest pieces is the large Triptich (featured above), each tapestry measures 1 m x 1.3m. Marie deliberately didn’t give it a title, “this way everyone can see what they want. They are about drawings and links made by the waves when they hit the rocks.”

You can see this image on our brand new Instagram account which we will update each Monday and when we see something worth posting. We update our blog and Facebook  page every Monday for our ‘Inspirational Monday,’ post and we aim to have an exhibition of three textile artists at the beginning of each month. Check out our new Instagram account here, and please  follow us as the more people who know about us the more we can ‘wake up the world to contemporary textile art.’

 

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Video of amazing tapestry from start to finish

We were lucky enough to interview tapestry artist Kristin Saeterdal recently and although everyone realises the amount of talent and commitment it takes to weave a huge tapestry, this three minute video proves it.  ‘Remembrance of the Sun, How it was Made’ condenses 400 hours of tapestry weaving into under three minutes and also shows the whole process including drawing the sketch, dying the yarn and cutting the finished piece from the loom. Check out our Facebook Page or Kristin’s website to see the video.

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50 amazing quilts on a theme

Quilter Luke Haynes first told us about his ‘Log Cabins of Donald Judd,’ exhibition plans almost six months ago when we featured him. Making 50, 90 inch square original quilts is not an easy task and we’re thrilled to say he’s done it!

The log cabin is the first repeatable quilt block and the theme was inspired by the Donald Judd installation in Marfa at the Chinati foundation ‘100 untitled works in mill aluminum, 1982-1986.’ “The basic idea is that I have made 50 quilts iterations of the ‘log cabin’. All different variations with the same language, all red centres with white and black fabric,” Luke explains. “All the fabric is used textiles. so the patterns and language of the details are dictated by the range of ‘black,’ ‘white’ or ‘red’ that I have access to in the form of used garment/textiles. But will all read as graphic compositions in black and white.”

The exhibition has just finished at Crafted at the Port of Los Angeles in L.A but here are some images. Also the quilts are for sale through Luke. The plan is to take the exhibition around the world so we’ll keep you posted. Happy quilting.

 

LCoDJ     Luke      Luke Haynes

 

Cool Collaborations

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Collaborations between artists and fashion companies have been the norm for a while now, but it’s unusual to see artists who use textiles

which is what makes Ben Venom’s work with Obey Clothing all the more noticeable. Check out his range of t-shirts at www.obeyclothing.com/collections/ben-venom-artist-series.

There is also a great video to go with it explaining his inspiration and Ben working on one of his epic quits, take a look at our FB page.

Grayson Perry exhibition at Sydney’s MCA

Comfort BlanketThe Walthamstow Tapestry (2009) Grayson PerrDetail from Comfort BlanketBritain in Best - Grayson Perry

If you are anywhere near Sydney it is well worth a visit to the MCA to see ‘Grayson Perry – My Pretty Little Art Career.’It is the artists’ first major exhibition in the Southern Hemisphere and is a colourful collection of his ceramics, prints, paintings, sculptures, sketchbooks and of course his tapestries.Each of the nine tapestries is a visual feast of cultural, political and artistic references. If you missed his ‘The Vanity of Small Differences,’ exhibition, they are all here, as is the astonishingly huge 15 m ‘The Walthamstow Tapestry.’ It was also lovely to see the quirky ‘Britain is Best,’ which stood out to me as it is hand embroidered. It is a real treat to see textiles on such a large scale both physically and popularity wise. For more images visit our Pinterest page.

Grayson Perry – My Pretty Little Art Career runs until 1st May 2016.