Gin Stone
Evolution, ecology and environmental activism are beautifully conveyed through American artist Gin Stone’s art. Critiquing “humanity’s approach to the degradation and disrespect of the natural world” she employs a range of found materials in her pieces that are rich in colour, texture and meaning.
Yu-mei Huang
Taiwanese artist Yu-mei Huang now lives in London and specialises in knit working predominantly with a domestic knitting machine. “My work explores the interplay of emotional connections with individuals and seeks to convey a sculptural and therapeutic perspective on textiles.”
Derick Melander
American artist Derick Melander’s colourful sculptures are both a study in colour theory and a comment on consumerism. Exhibiting his work worldwide both indoors and out, his ” clothing sculptures explore the intersection between global consumerism and the intimate relationship we have with what we wear.”
Inspirational Monday, 23rd September 2024
Inspirational Monday’s artist is Gin Stone. Depicting the natural world within her beautiful work and often uses found materials including ghost gear netting. Not sure what that netting is? . Check out her interview here to find out.
To discover more textile artists take a look at the Artists Directory in the menu bar. I’d really appreciate it if you can like and follow me on Instagram and Facebook in my quest to ‘wake up the world to contemporary textile art’. Thank you! Helen
Image: agate No. 4 (2022) 18′ x 15″ x .05″ ghost gear netting*, muslin, dye, adhesive
The blog, 24th September 2024
If you have ever wanted to find out more about basket weaving and woven textile sculpture, now is the time. Enrolments have recently opened for ‘Form to Freedom. Weaving for fibre sculpture with Harriet Goodall’ by Fibre Arts Take Two. Harriet is an Australian artist who creates stunning organic forms and her generosity of knowledge and engaging teaching make this a course to remember. Find out more on our blog here
Image: ‘Form to Freedom. Weaving for fibre sculpture with Harriet Goodall’ by Fibre Arts Take Two
Textile Art News
100 Days of Amazing Textile Art has finished. Thank you to those of you who followed along. As usual I’m in awe of the wonderful talent of so many artists using textiles as their medium.
The final day was by American artist Ruth Thomas (https://www.instagram.com/ruthomas.art/) was a crocheted piece that makes us pause for thought. The Pattern of Language represents the United Declaration of Human Rights.
“Each letter, space and punctuation mark is replaced by a colour. The resulting work shows the fundamental human rights, but also an abstract colour pattern: the pattern of the English language.This work was created in 2018, the year of the 80th anniversary of the UDHR, whose content is as relevant and important today, given the political situation in Europe and the world, as on the day it was adopted over 80 years ago.”
If you have missed the series or want to revisit it visit Instagram www.instagram.com/textilecurator or Facebook www.facebook.com/TextileCurator
Also if you aren’t already follow to help me in my quest to ‘wake up the world to contemporary textile art.’
Thank you, Helen x
Image: The Pattern of Language by Ruth Thomas
Spotlight
American artist Rachel Breen rachelbreenart.com examines the labour rights of garment workers. “I am a maker, yet much of my work involves the opposite: I “unmake” things and “dismantle” ways of seeing and believing. My work seeks to remind us of the human labor present in the clothes we wear and our relationship to the workers who made them.”
Shroud commemorates the 1,281 garment workers whose lives were lost in the combined tragedies of Triangle Shirtwaist Factory Fire 1911 (New York City) and the Rana Plaza Factory Collapse 2013 (Bangladesh). This exhibition was named one of the top 20, best of 2018, exhibitions in the US by Hyperallergic. This work was also exhibited at the Minneapolis Institute of Art in 2020 as part of a solo exhibition titled “The Labor We Wear.”
“With this work I seek to show how garment workers have been exploited across geographic borders and throughout history. Purchasing these shirts at the Goodwill Outlet, represents the
late stages of the garment supply chain. Thrift stores like Goodwill send unsold clothes to either a landfill or third-party companies. The massive shipments of these used clothing to the Global
South displaces and erodes local industries.”
Image: Shroud, 1,281 used white shirts, zip ties, thread, approximately 12′ x 60′ x43′ 2018,
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Contact us
I’m Helen Adams and I started Textile Curator to “wake up the world to contemporary textile art.” If you are an artist who would like to be considered, a gallery who is exhibiting textile art, or anything else relating to this wonderful genre please contact me at info@textilecurator.com. I can also advise on collecting textile art, be a juror and write artists statements and articles. If you have any queries I’d love to hear from you.
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